Artistic writing

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Artistic writing

This Artistic writing one such. When writing an essay you need to generate support for your thesis statement. To that end you may employ either artistic or inartistic proofs. Of the modes of persuasion some belong strictly to the art of rhetoric and some do not.

By the latter I mean such things as are not supplied by the writer but are there at the outset—witnesses, evidence given under torture, written contracts, and so on. By the former I mean such as we can ourselves construct by means of the principles of rhetoric.

The one kind has merely to be used, the other has to be invented.


The two types Aristotle mentions above are 1. Artistic proofs — arguments that the speaker must invent: Inartistic proofs — Artistic writing what others have said: The Three Appeals Aristotle says each artistic proof is derived from one of the following three appeals: He was the first to realize that a collection of facts inartistic proofs is just a collection of facts.

It takes a skilled rhetorician to study those facts and bring them together in a composition that is interesting, persuasive, and useful to others. There are, according to Aristotle, five types of inartistic proofs: Inartistic proofs should never comprise the bulk of your essay, they are merely the raw materials from which your essay will be constructed.

A Painting Analogy To understand more clearly how Aristotle differentiates between inartistic and artistic proofs, think of a painter standing in front of his canvas. He has in his possession a selection of colored paints, and he has also chosen a theme or motif for his painting.

Indeed, everything is present that makes it possible for a beautiful picture to be created, but until he chooses to combine his colors and apply them to the canvas, there is no picture, there is merely a collection of raw materials in their inartistic form.

Even the best raw materials will not bring about a work of art unless there is an artist who works to bring it about. In the same way, a writer may search through all the available sources at the library, read himself silly with facts on a subject, but unless he artfully puts all that information together, arranges it carefully, extracts the arguments from the facts he has uncovered, all he has on his desk or on his computer is a list of references and collection of quotations.

It is part of the art of rhetoric to collect information, analyze it, arrange it, and present it a form that brings useful, interesting, truthful, and pertinent information to its readers or listeners. Facts and data require interpretation in order to be understood. They need to be put in context, their range and domain needs to be explained, the circumstances under which the facts were gathered must be clarified.

Furthermore, the facts need to be put in contrast to previously discovered facts. For all that a writer is needed. Context-Context-Context Years ago an old Sunday School teacher of mine admonished our class to be careful about our approach to Bible study. There were three important things to keep in mind, he said, and those three things were: Context, context, and context!playwright..

Artistic writing

plays.. bio.. news.. gallery.. contact. 1. Artistic proofs – arguments that the speaker must invent: definition, comparison, relationships, circumstances, testimony, notation and conjugates. Composite grants provide support for several projects taking place over 1 to 3 years.

Instead of submitting a number of separate project applications, individuals, groups and organizations can combine their activities into a composite proposal.

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Inspiration (from the Latin inspirare, meaning "to breathe into") is an unconscious burst of creativity in a literary, musical, or other artistic endeavour. The concept has origins in both Hellenism and Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and leslutinsduphoenix.comrly, in the Ancient Norse religions, inspiration derives from.

Creative writing. Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics.

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